I'm still amazed at how perfectly timed it was. The crowd was so happy; none of us expected to experience a concert and a fireworks show at the same time. Mumford and Sons are probably the best live band of the millennium. Their performances are always electrifying with boundless energy that resonates through whatever venue they are playing. I'm lucky enough to have seen them 13 times in their evolution, from playing their second ever gig in the Union Chapel supporting Laura Marling, to wowing people in a barn for an album launch party where the crowd got to do barn dancing with the band after they performed.
Now they can headline Glastonbury and they made their very own Gentlemen of the Road festival which might sadly be the last show I'll have seen them at, depending on whether they return from their "hiatus". When Mumford and Sons perform they always have a magic onstage and a surprise up their sleeves, usually bringing onstage all support bands or other bands at festivals they've played together with for an encore, wowing the crowd with stomping intense versions of Fleetwood Mac - The Chain or The Beatles - Hey Jude or With A Little Help From My Friends.
Mumford and Sons live is a completely different experience from the commercial radio product most people know. They're the greatest songwriters of their generation and their folk bluegrass anthems pump infectious positive energy through every living breathing soul that witnesses this live experience.
After Glastonbury the hype and the sales figures behind Mumford and sons trounced the Rolling Stones. That just about says it all. And they're amazing lovely funny guys. The British audiences first of all embraced their own brand of traditional alt-folk and made the debut album 'Sigh No More' a commercial and critical success.
Now their live show has taken them to some of the biggest stages on both sides of the Atlantic with the stomping folk of the debut and follow-up 'Babel'. A Mumford concert is quite an unusual affair as the audience is constantly drifting between the hoe-down high energy of 'Little Lion Man' and 'Winter Winds' to the solemn and poignant 'Timshel' and 'Ghosts That We Knew'. Wow, what a show! Right from the start Mumford had huge energy, with a Stadium-era performance I haven't heard in years.
All the hits interspersed with intimate moments. Highlights included Marcus running up from the floor of the Hartford XL center hockey rink to the upper decks all while singing, hugging fans, waving to the audience from the balcony. The crowd knew every tune and and sang along to most.
Foot stomping, clapping high energy crowd. The encore blew me away. At the start, the band members went up to an upper deck balcony with one microphone, and sang a set a capela. Totally soulful, intimate, and engaging. Then they returned to the stage and kicked it into high gear with pyrotechnics, ear shattering volume and energy.
They are one of top live performance bands to come about in decades! It was amaaaazing!!!! Such a great crowd, jumping and singing together to every song, it was a wonderful experience. It was also the first time I saw the new stage setup, and I absolutely loved it! The members are constantly moving around and with the beautiful lights, design and great sound it is a completely different and exciting level of a live show.
This is something everyone should experience at least once but preferably tons in their lives! Mumford and Sons are a live band that never disappoint. The passion that goes into each performance is incredible. Crowd pleasers like "I will wait" "little lion man" and "the cave" will have you jumping up and down fist pumping along with a sea of Mumford loving fans. Mumford started off their career as a cult band playing small venues to less than people now on their arena tours all over the world they still manage to create a gig vibe where you feel a connection to the band.
No crazy pyrotechnics no backing dancers or costume changes Mumford are just 4 lads with the occasional drummer or fiddle player joining them on stage who create a mind blowing performance everytime.
See all videos See all photos See all posters Get your tour dates seen by one billion fans: Sign up as an artist. Live streams Chemnitz Your artists Popular artists. Yes, please notify me. Find your next concert Track future tour dates Join 2,, fans getting concert alerts for this artist. See concerts near you. Chemnitz, Germany Change. Similar artists with upcoming concerts Novo Amor.
Paul and The Broken Bones. Jon and Roy. Lake Street Dive. Gavin James. The Struts. Nothing But Thieves. Stu Larsen. Mon 09 May Badehaus Berlin, Germany. Thu 19 May Bitterzoet Amsterdam, Netherlands.
The Dunwells. The Milk Carton Kids. Tue 10 May Nochtspeicher Hamburg, Germany. Wed 04 May Chelsea Vienna, Austria. See more concerts near you. Tours most with Johnny Flynn. Laura Marling. The Vaccines. The Maccabees. Past concerts Jan Mar 5 Dec 14 O il fonico era ubriaco o le attrezzature del Service erano scarse. I bassi erano sparati troppo in alto e le casse non reggevano. Trombe e violino apparivano e sparivano. Inutile dirvi che non ci sono riusciti. Vi assicuro che una buona acustica cambia tutto.
Ma parliamo invece di cose serie: i Mumford!! Stecca clamorosa di Marshall su "Monster" canzone da limone duro. Mi hanno tolto le mie ragioni di vita :- C'erano tutte le condizioni per renderlo perfetto Read more Report as inappropriate. Videos U 2 brought us the claw, then Arcade Fire the boxing ring.
A long rectangular structure with stepped platforms at its extremities and a complex dynamic lighting rig suspended from the ceiling that unfurls like mechanical sails, one could fancifully compare their staging to a futuristic pirate ship.
A less generous observer might remark on its resemblance to one of those ugly barges used to cart rubbish. Anyone hoping for high-wire banjoing or tweed breeches getting shot from cannons should lower their expectations. Singing and stamping away from several microphone and kick-drum stations around the stage, Mumford remains a frontman with a gift and enthusiasm for the Chris Martin -esque rousing grand gesture, whether thumping his barrel chest while driving his voice to a reedy rasp during Little Lion Man, or sparking a thousand-smartphone-camera-flash salute at the outset of Believe.
But such flashes of excitement drift further apart in a set encumbered by newer material that is much less abundant in energy or certain of purpose.
0コメント