The gesso has a smooth finish so it makes it easier to erase the lines. I think it may have allowed the pencil lines to smear a little easier than a rough canvas. If you stretch your own canvases, you may find that the texture of the canvas is somewhat rougher. There are a few reasons for this. Artist quality gesso can be a little more absorbent and rough than what manufacturers use on their primed canvases. Also, canvas is available in a wide variety of textures, some of which are very coarse.
Rough canvases are more difficult to draw on with a regular mechanical pencil. If this is a problem then select a canvas that has a finer texture. Another tip is to draw with a pencil that has a dull point.
I have come to prefer them for drawing on canvases that I prime with gray gesso. Regular colored pencils contain wax which will resist the paint and may cause adhesion problems. Avoid the dark watercolor pencils because they will contaminate your paint as you paint over the lines. Light grays seem to work well on white canvases. If you prime your canvases with gray gesso or darker colors, then I recommend using a white watercolor pencil because the lines will show up better.
I often use a grid to help me enlarge drawings on to canvas as shown in the photo above. The grid helps you to get the shapes in the right locations and in the right proportions. I may write a post that explains this process in detail. One trick that I use is to draw the grid with a regular pencil and then use a white watercolor pencil to sketch the image. This allows me to wipe the watercolor pencil away with a wet rag without erasing the grid. You can draw without worrying about making mistakes because you can just wipe them off with a wet rag and start over.
This is useful for quickly blocking in the basic shapes and for working out the proportions. Thank thou so much for this post. If your objective is to only give rough indications of placement, proportions, and anatomy, and then let the paint do the talking, then this is the way to go. The broad lines and temporary character of charcoal will not only help free you from a paint-by-number mentality, but it will also force you to rely more on your ability to draw with paint rather than just fill in shapes.
This is a great approach for those who want to loosen up in their work. Of course, the obvious drawback pun intended this time with charcoal is that it's messy. If you have a tendency to rest your hand on the canvas when you paint, you may end up with more charcoal on your hand than on the canvas. The charcoal can also blend into your paint, depending on your technique. I have not had many problems with this as I tend to paint somewhat thick, but if you use thin layers it may be an issue.
There are different types of charcoal available on the market, but they mainly fall into two categories, vine charcoal, and compressed charcoal. Below is an example of using oil paint over vine charcoal and two different types of compressed charcoal pencil: a Prang charcoal pencil and a Mont Marte wordless charcoal pencil.
The lower right of each swatch was the thinned with mineral spirits, you can see how the effect is essentially the same on all three. I used the paint straight from the tube without thinning it. The first thing to note is how the vine charcoal, while not as dark, did a better job of covering the heavy texture of the canvas.
You can see that all three did cause some pollution of the color, but as I brought the color away from the charcoal and into pure canvas, it dissipated fairly quickly. The Prang pencil seems to have more effect on the color. Another option is using compressed white charcoal on a toned canvas. This charcoal tends to hug the canvas more, and since it's white, it doesn't seem to impact the paint as much , even when scrubbing in dark paint.
You will need to tone your canvas fairly dark to be able to see the charcoal well. And it's essential to make sure the paint you used to tone your canvas is bone dry before you apply charcoal. Some artists will use markers for their preliminary drawings.
There are many different kinds from acrylic to Sharpies and these come in all array of colors. While I admit I've never used this method, the word is acrylic may be a better way to go since oil-based markers such as Sharpies can eventually bleed through the paint. Pastels, while not optimal for doing a highly-detailed drawing, can work great if you want a loose approach similar to charcoal, yet with color.
You will want to make sure that the pastel you are using is compatible with your medium. For example, you could use oil pastel with oil paint, but never with acrylic paint. Another issue with fixative is that the colors might change. There are not many benefits of using canvas as a drawing surface. But here are few to point out. Unfortunately, few cons are very important to know. Best Colored Pencils. How to blend Colored Pencils. Koh-i-noor Woodless Colored Pencils.
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Get smoother canvases from the store, already primed Even if the canvas is primed you need to put a minimum of two layers of gesso, I recommend that you go with three layers. You will get a more colored pencil, friendly surface, and it will save your pencils a lot.
Sand it and get a smoother surface. It may not happen overnight, but over time graphite can rise to the surface through multiple layers of oil paint. Workable fixative can work here, but if you want to make sure you get a seal that will protect your painting, you should use matt medium over workable fixative.
Another option is to use charcoal to draw with before painting. If it makes you feel any better about it, the old masters used camera obscura techniques to project images onto canvas. But, how can you trace onto a canvas? What will work is carbon paper. Just make sure that you seal it with workable fixative and then matt medium before you start to paint over it.
High-end artist projectors can be quite expensive, placing outside of the budget for many amateur or young artists. Absolutely not! Instead of spending hundreds of dollars on a high-end artist projector, you can go for a less expensive projector that uses magnifies and projects a paper image, or you can use something along the lines of a Pico digital projector that hooks up to your computer.
Artist projectors are handy tools that can help you to shave a lot of time off of your process while also helping to maintain a proper perspective. This is an experimental stage, so using less expensive materials can help to save your bank account while allowing you to develop your artistic skills.
One option to consider here is using canvas panels. They are similar to stretched canvas, but they are far less expensive. Another option would be to buy a roll of unprimed canvas. Buying canvas by the roll is much less costly than buying it stretched. By opting for the unprimed canvas, you can experiment with different numbers of coats of gesso to see what works best for you.
Another money-saving tip is to not be afraid to re-use canvases when you are just experimenting and practicing. You can erase most graphite and charcoal from a surface, then with a few coats of gesso, your canvas will be ready to draw on again.
Try new things, combine mediums together, and see what works for you. General Drawing Courses. I really like Udemy if you are looking to develop your knowledge of drawing techniques Udemy is an excellent choice due to its wide range of creative courses and excellent refund policy. They often have monthly discounted deals for new customers, which you can check here.
Use my link. Sketching and Collage. Take a look at this sketching resource I have created. Use this link.
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